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Preliminary Technical Summary
This summary is informational and updated as of
October 26, 2006. It lists the critical dimensions
of the stage and technical equipment for the Mead
Theatre opened March 1, 2003. This is intended
for general information and any critical dimensions
or details should be confirmed.
PHYSICAL ADDRESS:
Benjamin and Marian Schuster Performing Arts Center
One West Second Street
Mead Theatre
110 North Ludlow (stage door)
Dayton OH 45402-1705
CURRENT MAILING ADDRESS:
Victoria Theatre Association
138 N Main Street
Dayton OH 45402-1776
MAIN CONTACTS:
Phone: 937.228.7591
Fax: 937.449.5068
Dione Kennedy-President & CEO-ext
3014
e-mail: dkennedy@victoriatheatre.com
Patrick Keough-Production Manager-ext
3073
e-mail: pkeough@victoriatheatre.com
Mechele Pritchard-Licensing Manager-ext 3071
e-mail: mpritchard@victoriatheatre.com
Emily von Stuckrad-Technical Coodinator-ext.3602
e-mail: evonstuckrad@victoriatheatre.com
Carla Wirth-Production Coordinator-ext.
3069
e-mail: cwirth@victoriatheatre.com
Kimberly Keough-House Carpenter-ext 3608
e-mail: kkeough@victoriatheatre.com
Steve Williams-House Electrician-ext 3606
e-mail: swilliams@victoriatheatre.com
Keith Thomas-House Soundman-ext 3607
e-mail: kthomas@victoriatheatre.com
Clarence Rice-Assistant Carpenter-ext.3601
e-mail: crice@victoriatheatre.com
SUMMARY
TYPE OF THEATRE: Proscenium Theatre resembles
European style Opera House. Seating is in sectioned
orchestra and loge with continental seating in
lower and upper balconies with side galleries
and one box per side, per level. Maximum seating
is 2,325 and all seating levels are handicap accessible.
SEATING DETAILS
Orchestra
main floor lift seating and galleries:
Loge, galleries, boxes (1st tier)
Lower Balcony, galleries, boxes (2nd tier)
Upper Balcony, galleries, boxes (3rd tier)
TOTAL:
Pit/Lift Seating:
Lift #1 Broadway pit (nearest to stage)
(one tracked wagon,
stores below pit floor level)
Lift #2 Opera pit (center of three
lifts)
(three tracked wagons,
stores below lift three floor level)
Lift #3 Orchestra stage lift only
(five universal caster
wagons, store onstage) |
940
seats
388 seats
509 seats
488 seats
2,325 seats
17 seats
85 seats
64 seats |
STAGE DIMENSIONS
Proscenium
width, maximum opening
Proscenium height, maximum opening
Adjustable proscenium tormenters, minimum
opening
Adjustable proscenium teaser, minimum opening
Stage depth from plaster line
Plaster line to last working lineset
(measured from true
PL no smoke pocket) |
56'-0"
34'-0"
42'-0"
27'-0"
50'-0"
46-8" |
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Stage
Rigging |
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87 - Single purchase counterweight
sets on 6" centers, 1,800 lb capacity above
pipe weight.
4 - 3,500 lb dead haul winch battens for 3 onstage
orchestra reflectors.
(3-playing positions, 1 storage position)
NOTE:
Winch battens can be used when reflectors are
stored, but they are fixed speed-10'/min
Fly rail locations:
Stage Left at floor level (opposite load-in door)
Stage Left fly gallery (+45'-0" above stage
floor)
Line-sets on 6"
centers start 1'-8" US of true plaster line.
Stage has no smoke pocket, deluge type fire suppression
curtain on DS side of proscenium arch.
Length
of battens
Minimum trim above stage
Pipe travel
Maximum trim above stage
Arbor capacity
Dedicated electric battens
Main drape lattice track |
66"-0"
4'-0"
85'-4"
89'-4"
1,800 lbs (above pipe weight)
none
1'-0" upstage of plaster line (guillotine
- operates from SL) |
NOTE:
Lattice track minimum trim above stage is 31'-0"
Miscellaneous
Equipment
Spot
blocks - Nylon for 5/8" rope, single
groove
5/8" Spot line
5-line clew/trim blocks
Wood belaying pins
Purchase line snubbers
Cable cradle supports
1 ton chain hoists (16 fpm, 100' lift)
1 ton chain hoists (32 fpm, 100' lift)
8-place hoist controller
Drapery bottom pipe (10' lengths T/C 3/4")
Batten, 21'-0" length sleeve one end
Synthetic Heat shield borders, 2' x 20'
Sand bags 10 lb
Sand bags 25 lb
Sand bags 50 lb
Sand bags 100 lb |
50
6,000'
9
50
3
12
10
2
1
700'
6
24
8
10
25
8 |
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Stage
Lighting Equipment (Total Inventory - Includes
FOH) |
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Instrument
ETC Source 4
ETC Source 4
ETC Source 4
ETC Source 4
ETC Source 4
ETC Source 4
ETC Source 4 Pars
ETC Source 4
ETC Source 4
Altman 1-cell focusing cyc
(18 sections of 6 cells each)
Lycian 2K xenon followspots
Half hats – S4 5 & 10 degree
Half hats – S4
Side arms 18"-24"
Pattern holders
Gel frames (per instrument)
50 lb boom bases
21'-0" 1-1/2" boom pipes
2'x 20' Zetex borders |
Focus
5º
10º
19º
26º
36º
50º
5º lens tubes
36º lens tubes |
Quantity
21
41
111
122
74
10
71
6
15
108
3
39
68
40
144
2
10
10
24
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FOH HOUSE HANG
(11 positions front of house with equipment provided.
Ethernet and DMX run to all locations)
NOTE: Altering of FOH Plot
- producer expense - must be restored
Spot
Booth
Catwalk #3
Catwalk #2
Catwalk #3
U Balcony rail #3
L Balcony rail #2
Loge rail #1
Upper Gallery
Mid Gallery
Lower Gallery
Mid Box
Lower Box
Proscenium boom |
3
3
8
28
8
2
1
8
8
8
12
12
8
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2K Xenon follow
spots
ETC S-4 5º
ETC S-4 5º
ETC S-4 10º
ETC S-4 5º
ETC S-4 10º & 4-S4-19º
ETC S-4 10º & 8-S4-19º &
4-S4-26º
ETC S-4 5º & 12 – S4-19º
(4-5º & 6-19º ea. side)
ETC S-4 26º & 4 – S4-19º
& 2 S4-10º
(4 - 26º & 2 - 19º & 2 -
10º each side)
ETC S-4 26º º (4 each side)
ETC S-4 19º (6 each side)
ETC S-4 26º (8 each side)
ETC S-4 19º (4 each side) |
FOH LIGHTING
POSITIONS
POSITION
Spot booth
Catwalk #3
Catwalk #2
Catwalk #1
U Balcony rail
L Balcony rail
Loge rail
Upper Gallery (SL & SR)
Mid Gallery (SL & SR)
Lower Gallery (SL & SR)
Mid Box (horizontal)
Lower Box (proscenium)
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VERTICAL ANGLE
38º
45º
38º
70º
25º
18º
10º
45º
18º
10º
60º
75º |
THROW DISTANCE
(to CL @ PL)
82'-0"
88'-0"
84'-0"
60'-0"
88'-0"
80'-0"
74'-0"
74'-0"
80'-0"
74'0"
46'-0"
38'-0" |
STAGE LIGHTING
DIMMERS/CIRCUITS
Performance Dimmers: ETC Sensor dimmers, 514 2.4K
dimmers, 7-6k dimmers.
Distribution configured in a dimmer per circuit
design, Veam/Socapex or 2P&G connectors.
FOH circuits distributed to each position (details
to follow)
Onstage circuits are primarily at fly gallery
level (+45'-0" above stage floor). Majority
of circuits are located SR (details to follow).
There are no permanently designated electrics
battens.
STAGE LIGHTING CONTROL
ETC Expression - 3 800 channel, controls up to
1,536 dimmers. Complete with 2-17" monitors,
2-15" monitors, w/Net2 video node
ETC Remote Focus Unit & ETC Radio Remote Focus
Unit
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Sound
Equipment |
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House
console
Amplifiers
Main Speakers
Subwoofers
Near fill speakers
Under Balcony
Over Balcony
Galleries
Opera Boxes
Stage monitors
Signal processing
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Yamaha
PM 4000/48 channel
QSC
EAW cabinets in a custom CTR, SL, SR flown
cluster array
(2) EAWSB250R (double 15s) & (2) EAW SB250zR
(double 18s) on floor
EAW JF-80
EAW JF-80
EAW custom array
EAW 12seMT near field speakers
EAW 12seMT near field speakers
(8) EAW SM200iH, (12) JF80, (2) JFX200 monitor
cabinets
(2) BSS DPR404 Compressor (4 channel)
(2) Klark/Teknik DN514B Gate (4 channel)
(1) Yamaha SPX 990
(1) Lexicon PCM-81 digital effects processor
(4) XTA GQ600 2-Channel EQs |
Microphones
Mic Stands
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Shure
- (6) SM-58, (8) SM-57, (6) SM-81, (5) MX393/S,
(3) MX202B/S
Shure – U124D/58 2 Channel Wireless
w/4ea. SM 58 and Sennheiser MKE-2 Lav’s
EV – (6) N/D468, (2) RE20, (4) M/D421
II
Sennheiser – (4) MD-431 II
Audio Technica – (2) AT4033/SM
Audio Technica - (4) AT857QMLa Podium Mics
(1) Barcus Berry 4000XL Piano Pickup
(10) Tall & (10) Short black boom stands
(4) Tall & (4) Short chrome boom stands |
| Playback |
(1)
Marantz PMD510 Dual deck cassette player/recorder
(1) Marantz PMD 321 Compact disk player
(1) Panasonic SV-3800 DAT Recorder |
| Mix
position: |
Rear
of Orchestra center section behind last row
of fixed seats.
House amp room, 3rd floor backstage. |
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Storage |
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Onstage, dock, basement
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Projection/Alternate
Control Booth |
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Location: Rear of Loge (1st tier)
Communication: show feed, DMX, Ethernet, Clear COM
Power: 1–3 phase 120/208V 200 amps per leg
Distance from Plaster line: 100’0”–Angle:
208
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Forestage
Grid |
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Downstage of the Proscenium there
is a traditional ribbon steel grid structure above
two (2) openings that accommodate the travel and
storage of fore-stage orchestra reflectors and sound
clusters.
Details:
Height to working surface: 81’-0”
US opening is rhombus shape: 2’-6” DS
of PL, 6’-6” deep, 72’-0” wide
at US & 75’-3” wide
Far opening is rhombus shape: 17'-0” DS of
PL, 4’-9” deep, 67’-9” wide
at US & 70’-0” wide
Obstructions:
Fore-stage architectural arches,
Near arch: 9’-6” DS of PL, height - 49’-6”
at CL, 46’-0” at outside of Proscenium
opening.
Far arch: 22’-6” DS of PL, height –
51’-6” at CL, 48’-0” at outside
of Proscenium opening.
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Hanging
Plot |
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PDF
version of this Technical Summary.